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Epic percussion loops, one shots and construction kits
"...it´s the 11 construction kits covering tempos from 100-170bpm that really impress." - Computer Music (Rating 8/10)
"I´m using a lot of FeltForceOne on Drive Angry. It´s great library. There are very few products that have aggressive orchestral percussion like this one and none I can think of that have useful rhythmic content using this type of palette." Michael Wandmacher (Composer Drive Angry 3D, My Bloody Valentine, Madagascar)
For fast and efficient scoring, guide-tracking work and full scores building. 24 bit 44.1 kHz 16 fully percussive scored and performed construction kits divided 4 and 8 or 16 bar phrases for quick scoring and scene transitions.
15+ Massive Slams and Hits, 2 snare ensemble phrases, a metal and iron hits, GrandCassa, BigDrumFX patch and a shout and screaming ‘men’ patch.
With this tool we’ve aimed on the most realistic but composer-audio technician friendly sample library. Providing in highly efficient microphone setup mixed from close, mid-stage, far-stage and balcony-far recordings.
This library provides basic percussion construction kits for building bases for your orchestral symphonic music. Especially those epic and action-loaded trailer tracks sometimes need more kick and a great way to achieve this is by using these authentic performed samples. For this we’ve created a new and very easy to use construction kit. Providing twelve friendly looped based live recording sessions of a powerful six men percussion ensemble. Felt Force One arrangements contain Grand Cassa, Bass drums, FloorToms, Low, medium and high symphonic toms, Field drums ensembles, snaredrums, Rototoms,
Bamboo percussion, Piatta, Tamtam, Cymbals, Anvyls, Iron&Metal Hits/SFX, and Shouts and Screams.
Content Overview:
- 16 Construction Kits loop based live recorded orchestral percussion sets (containing 9 or 12 loops from 8 bars)
- All loop collections named , and tempo tagged. Folder arranged into “Loops” and “Singles”
- 4 One-Shot/Singles kits (Iron&Metal, Big Drums, Shouts and Endings & Iron Rhythm)
- Format: Kontakt 2 or higher, Apple-loops and Waves, Rex2, ACID
- Recorded in 44.1 kHz 24 bit using Neumann stereo stage microphones
- Extensive mapping manual (.pdf)
- License agreement (royalty free statements and user agreements)
- Impulse response “Felt Force One Scoring stage” (Space designer preset)
- All demos and high resolution artwork included
- Free teasers from other Sonokinetic libraries Qs 1&2, Copradio and Turntablism
Key & BPM
Felt Force One provides tracks in the most generic and commonly used BPM. This way samples are easy to inter combine with each other, and easy to implement in your cinematic orchestral tracks. Since film and game producers often write in these tempi we thought we should stick to them to make the Felt Force One Library a breeze to integrate in these commonly used Rhythmic spectrums.
Since most of these tracks are going to be basic building blocks for fast and heavy action film or energetic game sequences all of the loops are recorded between 100 and 170 BPM, giving the user a broad range of speeds to choose out of. All provided formats selected by Sonokinetic for this Felt Force One library support time stretching without loosing too much quality. Fine tuning and choosing the right tempo from scratch will result in a very realistic and easy adjustable sequence. It’s up to the composer/producer to find out how far to stretch the envelope. Sonokinetic guarantees the best quality when stretching 10 to 30 BPM up or down.
Construction Kit Principle
Felt Force One recording sessions are split up into very easy to use ‘building blocks’. Sonokinetic sliced the rhythmic phrases up into blocks of 4 , 8 and 1 bars. Occasionally half bars and breaks are provided in each section. Endings and break-endings are located at the top of each sample set section towards the end of the selected keyboard octave. Every sample set has a similar buildup. Starting at C-1 or C0 up to C3.
Download size 1.52 GB(zipped)
Extracted folder size: 1.9 GB
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