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Superb chords, groovin' bass lines, lead melody lines and solos
Top of the range MIDI keyboard loops for those who like to keep their house music deep and jazzy. Superb chords, groovin´ bass lines, lead melody lines and solos. Performed by Steve Burton exclusively for Smash Up The Studio.
Smash Up The Studio proudly present their latest release. "MIDI Keys: Deep Jazzy House Grooves" This collection contains probably some of the best keyboard work available as MIDI today. In fact, work of this standard is usually reserved for high profile producers with endless budgets and the ability to hire the best musicians available.
All content is royalty free. About the performer: Steve Burton is a session keyboard player, songwriter, producer based in London. He has worked on house mixes on many major labels including Strictly Rhythm and Ministry Of Sound, and has featured on tracks by artists such as: Whitney Houston, Janet Jackson, Babyface, George Michael, Mary J Blige, Justin Timberlake, Seal, Aretha Franklin, and many more....
Size: 512Kb
Content:
50 MIDI keyboard loops, perfect for synthesizer, rhodes, pads, strings etc.
These loops range from funky more syncopated deep house riffs to chilled jazzy grooves in the style of Fender Rhodes or loops ideal for synthesizer pads. All contain great chord progressions and each loop could easily form the musical structure for an entire mix.
20 MIDI bass loops performed in the style of the very latest deep house tracks.
20 MIDI lead lines, memorable melodies great for lead synths, plus 2 amazing 16 bar Moog solos.
5 MIDI construction kits.
These kits contain every part you hear in the 5 tracks used in the production of our demo, all the keyboard and bass parts including the solos. All you need to do is find some cool sounds and lay down some beats.
All of the loops in this collection were originally recorded at 125 BPM and range in length between 2 and 16 bars. However with MIDI the editing possibilities are endless.
Produced and performed by Steve Burton for Smash Up The Studio.
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