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Our Products  >  Manufacturers  >  iZotope  >  iZotope RX 6 Advanced Audio...

iZotope RX 6 Advanced Audio Editor (Download)

iZotope RX 6 Advanced Audio Editor (Download)

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The flagship audio repair tool

ProMB Free Trial - Mac ProMB Free Trial Windows

iZotope RX 6 Advanced is the flagship of the RX family of products, the industry standard audio repair tool that’s been used on countless albums, movies, and TV shows to restore damaged, noisy audio to pristine condition.

From noise reduction to removing clicks to fixing distortion, RX is a complete toolkit for clean up and audio restoration needs. Visually identify and repair problems with the standalone RX Audio Editor application, or use the plug-ins in real time in your favorite DAW or NLE. Built for dialogue editors and post production professionals, RX 6 Advanced features powerful, time saving dialogue editing tools and industry firsts like De-rustle and Dialogue Isolate, developed from machine learning.

  • Perfect for post production studios and facilities
  • Includes everything in RX 6 Standard
  • Remove rustle from lav mics and other sources with De-rustle
  • Isolate dialogue from noisy backgrounds with Dialogue Isolate
  • Reduce low-end wind rumble with De-wind
  • Features machine learning tech and Advanced-only tools


Machine learning the impossible

Years of research and innovations in machine learning allowed the iZotope team to solve some of the most impossible repair issues in audio post production, including lavalier mic rustle and noisy dialogue backgrounds. Only RX 6 Advanced now includes both of these jaw-dropping new features.

De-rustle [Advanced only] - Developed with machine learning, De-rustle enables you to remove lavalier mic rustle from dialogue with a single click—an industry first!

Dialogue Isolate [Advanced only] - Developed with machine learning, Dialogue Isolate extracts dialogue from noisy environments with complex background sounds like clanging plates in a restaurant, traffic noise, and machinery.

De-wind [Advanced only] - Clean up low frequency wind rumble from location dialogue.

Composite View - Fix problems picked up by multiple microphones by editing multiple files at once.

De-bleed - Remove headphone bleed from an acoustic guitar track, click track bleed from a vocal take, and fix other signal bleed issues.

Ambience Match [Advanced only] - Fill in consistent ambience beds under constructed sentences and ADR lines right from within Pro Tools AudioSuite.

EQ Match [Advanced only] - Impart the EQ profile of location dialogue to ADR with two clicks.

De-ess - Tame overly aggressive sibilance. The new Spectral De-ess mode transparently attenuates sibilance with iZotope’s Spectral Shaping technology.

Mouth De-click - Remove distracting mouth noise with the new low latency Mouth De-click.

Spectral Repair - Visually paint away audio problems like ringing cell phones, birds, and squeaky bass drum pedals.

Voice De-noise - Fine tuned for vocal application, reduce unwanted steady state or changing background noise like air conditioning, refrigerator hum, and amp hiss.

De-plosive - Transparently repair unwanted plosives with a single click.

Spectral De-noise
- Attenuate amp buzz, tape hiss, and other unwanted steady state background noise.

De-click - Clean up vinyl clicks, soften up click-y bass guitars and more. The new low latency algorithm enables you to use De-click right within your DAW or NLE without introducing sync issues.

De-clip - Repair digital and analog clipping artifacts to restore distorted audio.

De-hum - Remove ground loop hum and line noise. 


Upgrade to RX 6 Advanced from RX 1-5 Advanced

Upgrade to RX 6 Advanced from RX1-5 Standard

Press Reviews

Future Music Platinum Award"Again iZotope move the RX platform forward to a place ahead of any competition. A truly powerful, innovative and intuitive toolset." - Future Music, Rating: 9.5/10

Computer Music Performance award

"We didn´t think it could get any better than RX 5, but we were wrong - there´s seemingly nothing RX 6 can´t do when it comes to sorting out sub-par recordings and spectral manipulation.Yes, it´s full marks once again for iZotope´s unassailable restoration suite. How could it not be? Everything that was already in place is still as powerful and relevant as it was when RX 5 hit the streets, and the new stuff added for RX 6 is simply knock out. [...] What we love most about RX 6, though, is that it´s just so easy to use, despite its potentially intimidating remit." - Computer Music, Rating: 10/10

Music Tech excellence award"Now an essential tool for both music and post production, iZotope´s RX 6 has matured to be a dependable and highly useful audio editor." - Music Tech

"The new features in RX 6 Standard and RX 6 Advanced are absolutely amazing." - Pro Tools Expert Click here to watch the video review

"RX6 should be part of any audio engineer’s collection of tools, and with the various versions available, there’s no excuse not to have at least some of its features available for cleaning up your tracks and making them shine" - AskAudio Click here to read the review in full

"RX 6 is all about efficiency, and with the wealth of newly added features, I’m able to accomplish the task at hand, return my audio to Pro Tools and move on with incredible speed." - SonicScoop Click here to read in full

"Working audio professionals will quickly find RX indispensable – I know I did, and that was before the new features built into RX6." - PJmedia.com

"The latest update to iZotope RX 6 is incredible. I have been using RX since the beginning. For cleaning up field recordings and sound effects there really isn’t anything out there that will do what it can do. From removing unwanted sounds, eliminating hiss, and environmental noise, it has made my job so much easier."-  Richard Devine (Sound Designer)

"The process of controlling the energy in a mix requires me to manage the crunch. RX gives me a depth of control I can use to focus any vocal or instrument no matter how it was recorded. On records that will be played on pop radio, like the single "Hair" from Lady Gaga´s Born This Way, I´m able to manage the ultimate tone of a track." - Tony Maserati (Lady Gaga, Beyoncé, Jason Mraz, James Brown, Mariah Carey)

“Many of the new features will be godsends to post-production/film/TV people, but some of them definitely appeal to me as a music mastering engineer.... Since I´m not a post-production expert, I won´t list the other new features I see that will appeal to you all, but I guarantee they will make your mouth water!” - Bob Katz - mastered three Grammy Award-winning albums

"Whilst it may seem expensive, there really is nothing else that gets anywhere close for the price."  - Sound On Sound

  • Effects Plugin
System Requirements
Windows MAC

Supported operating systems

  • Windows: 7, 8, and 10
  • Mac: OS X 10.8.5 - 10.12

Supported plug-in hosts

  • Audition CC 2017, Cubase 9*, Final Cut Pro 10*, Live 9, Logic Pro X*, Media Composer 8.8, Nuendo 7, Premiere Pro CC 2017, Pro Tools 10-12, Studio One 3

*Supported in OS X 10.11 or higher

Supported plug-in formats

  • AAX (64-bit), Audiosuite DPM, Audio Unit (32-bit and 64-bit), RTAS (32-bit), VST 2 (32-bit and 64-bit), and VST 3 (32-bit and 64-bit).


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The iZotope license agreement allows this product to be used to produce library or production music.
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