SubBoomBass is filled with excessive amounts of low end ammunition to detonate your tracks! With presets designed by the legendary Rob Papen and other guest artists, this dedicated bass synth will supply you with huge cone-rattling sounds that will devastate any dancefloor. This software instrument is great for Hip Hop and RnB but can also be used for Dubstep, Drum and Bass, Garage, Grime and much more…
Based on the award winning Predator engine, SubBoomBass has been carefully crafted to provide you with the tools to create fresh new bass lines for any musical style. Rob Papen again displays his cutting edge and innovative style by combining the ‘phat’ sounding synth engine with tuned drum percussion samples and rare samples. These patches are great for fresh and completely new bass textures for Hip Hop and RnB basses but also for any producer that is on the cutting edge of modern music!
Other features include a groove sequencer and two effects slots which can be modulated. SubBoomBass also features a great ‘Easy Edit’ page and the unique ‘Quick Browser’ system that will allow you to find the sounds you need quickly and easily.
2 Oscillators with Analogue types waveforms and tuned percussion waveforms.
Oscillator waveform Symmetry control for each oscillator.
Free running option for each oscillator and Oscillator Syncing of oscillator 2 to oscillator 1.
Extended semitone range going from -48 semitones up to +48 semitones.
Separate octave control and fine-tuning.
Keyboard tracking on/off for each oscillator.
Each Oscillator offers Pulse Width Modulation (PWM) using an independent LFO for each oscillator with individual speed
and amount controls.
FM and Ring modulation modes for Oscillator 2.
Each oscillator has a (PWM) square wave or sinus wave Sub-oscillator .
Volume control for each oscillator and output on/off for Oscillator 1.
Main filter is an analogue modelled stereo Multimode Filter, offering 6dB LowPass and HighPass, 12dB, 18dB and 24dB LowPass and HighPass, 12dB and 24dB BandPass,
12dB and 24dB Notch, Comb and Vocal Filter
Easy Filter control by pre-defined Cutoff Frequency modulation controllers: Envelope, Velocity, Key-tracking, LFO and Modulation Wheel.
Built-in Filter Envelope with Attack, Decay, Sustain, Fade and Release.
Build in Filter LFO with various waveforms, modulation amount control and tempo sync option with speed settings between 16/1 and 1/32t.
LFO Poly, free or mono mode options.
Additional Filter with cutoff control offering 6dB, 12dB and 24dB LowPass or HighPass setting.
Additional Filter 1 and Filter 2 path selector.
Serial mode, Parallel mode and Split mode (Osc1>Filter1 / Osc2>Filter2)
Built-in Amp/Volume Envelope with Attack, Decay, Sustain, Fade and Release.
Volume control. Velocity> Volume amount.
Free modulation section
1 Envelopes with Attack, Decay Sustain, Fade and Release.
Option to control the Envelopes times using "velocity" or "key played".
Modulation Amount Envelope and amount control for this Envelope.
48 modulation destinations.
1 LFO´s with various waveforms.
Tempo sync option with speed settings between 16/1 and 1/32t.
Poly, free or mono mode options.
Modulation Amount and amount control for this LFO.
48 modulation destinations.
4 free modulation routings.
32 modulation sources.
48 modulation destinations.
Secondary modulation source & control.
Play modes section:
Mono/Mono2/Legato/Legato2/Sequencer/Poly Play modes
Unison2/Unison4/Unsion6/ and Octave modes with Unison detune
Portamento featuring constant rate/constant time or held(legato) constant rate/constant time.
Adjustable Analogness setting to simulate the instability of vintage analogue synthesizers.
Demo C2 button to preview sounds.
Decay/Release Shape. This Changes the curvature of Predator´s envelopes decay and release stages. From exponential to linear to logarithmic.
Overall Pitch modulation section:
Tempo sync-able global Pitch LFO. You can set the amount and also which wave is used for this LFO.
Pitch bend with separate settings for up and down pitch-bends.
16 step sequencer
sequence A and B option
sequence A and B play modes includes split, top and join.
Sequencer patterns can be 1-16 steps long.
Speed setting of 1/4, 1/3, 1/2, 2/3, 1, 3/2, 2, 3 and 4x BPM.
Overall step length.
Slide amount for sliding steps.
Velocity control knob which mixes between keyboard (midi) velocity input and the steps velocity settings.
Each step has on/off, Tie, Slide, Tune, Velocity, Free, Osc1 waveform, Osc2 waveform row.
Tie modes normal and special which allows Slide, Tune, Velocity and Free settings inside a step if that step is set to Tie. Toggle modes 1 and 2 which toggle between normal and special.
Sequencer Latch which can be controlled by the midi sustain pedal.
You can load, save, copy, paste and clear sequencer, so you can reuse them in different presets.
HQ effects blocks in serial mode and split mode option if Filter 1/2 are in ´Split´ mode
Available effects: Mono Delay, Stereo Delay, Comb, Reverb, Chorus, Chorus/Delay, Flanger, Phaser, Wah/Delay, Distort, Low-Fi, Amp Sim,WaveShaper, Stereo Widener, Auto Pan, Gator, Bass Enhancer, FX Filter, Equalizer, Compressor, Ensemble Cabinet, MultiDistort, Auto Wah.
Midi tempo based settings in most effects.
2 FX modulation sources for connecting midi or synth controls to FX parameters.
Uses sound banks composed of 128 presets.
Preset handling with copy, paste, clear and compare function.
´Quick Browser´, ´Recently Browsed´ and ´Favorite´ functions.
This demo product will be usable in your host (music software) for 30 minutes at a time, and for 30 days time in total. After this period noise is added to the sound. Also, in this demo, all bank and preset loading or saving is disabled and a minimal amount of presets are included.
"It brings a smile to any reviewer’s face when they test a product that is designed for a particular task and gets it exactly right. SubBoomBass is essential for anyone making Dance music in 2009." – Future Music
"...we can’t deny that this is a quality instrument that dishes up some thunderous, high-calibre bass tones." - Computer Music
Windows XP, Vista or Windows 7, RTAS (22,2Mb); VST 32/64 Bits (40,7Mb),
Mac OSX 10.5 or higher, AAX (24,5Mb); AU & VST 64Bits (56,5Mb); AU, VST and RTAS, 32Bits (77,4Mb); Tiger (OS-X 10.4) AU, VST and RTAS (77,2Mb), AAX OSX 10.8 with Pro Tools 10 now supported