Please note:
The iZotope license agreement allows this product to be used to produce library or production music.
64-bit amps, multiband distortions, filters and delays
Trash brings creative control back to the artist. Define your distortion sound with the Trash toolbox of effects or recreate the warmth and depth of the classic distortion sounds. Reenergize and inspire your playing with fresh, exciting tones. Plug in, rock out, get Trashed!
iZotope Trash is the ultimate tool for selectively adding distortion to your tracks. You’ll find just as much use for the subtler tone enhancements to your other tracks—tape saturation for vocals, overdrive for keyboards or a pinch of fuzz on a lead guitar, for example. Chain pairs of distortions together or apply distortion independently to individual frequency bands. Trash is compatible with most Mac and PC hosts, supports 192kHz and employs 64-bit for great fidelity regardless of how nasty you like your sound. Trash is the king of distortion—and at a price that smokes the competition.
Key Features
Complete Amp, Cabinet and Stomp Box modeling tool
Intuitive design, features not available anywhere else
Multiband Compression, Distortion and Post-Filter
Unmatched control over every detail of your sound
Finally discover your signature sound
Multiband, Dual-Stage Distortion Have you used all the “standard” distortion plug-ins out there, only to find that you still end up with a thin, canned and basically unrealistic sound? Do you wish you could combine the ease of use of the “virtual stack” with the intelligent control of studio effect processors? Trash combines multiband, dual-stage distortion and an intuitive user interface to prove that all distortions are not created equal. Add a little crunch in the midrange without muddying the lows and over-hyping the highs, give the low end some more thump without distorting the top. Go one step beyond standard formats and layer not one, but two types of distortion on each of the four available frequency bands.
Chain pairs of distortions together for sonic destruction at 64-bit precision. Split the signal into multiple bands and apply distortion independently to individual frequencies. It´s not pretty -- it´s beautiful.
Overdrive: 12AX7 tubes. 6L6 tubes. Transistors. EL34 pentode tubes. Tape Saturation. All your old friends are here.
Distortion: Symmetrical clipping. Asymmetric limiting. Harmonic distortion. Sounds you know and sounds you´ve never heard before.
Fuzz: Can´t get no satisfaction? A half dozen fuzz algorithms, from smooth germanium transistor fuzz to harsh silicon clipping fuzz boxes.
Retro: Classic lo-fi distortion effects. Bit decimators and aliasing algorithms that will take you back to the early 80s. Wave rectifiers that will take you back to Woodstock.
Faulty: Blown out transistors. Cold solder joints. Radio noise. Static. Sometimes you´ve got to go beyond what works and try something that´s just plain broken.
Plug In and Rock Out Lose a hundred pounds immediately with the Trash diet: shed pounds of heavy guitar amps, cabinets, and stomp boxes. Trash comes with more components than you could fit in a studio not to mention carry. Trash’s low-latency design means you can take your studio sound to the show. Get the subtle tones of a recorded sound in a live performance. As a bonus, you can forget spending the first half hour of sound check tweaking the knobs on your amp. All you have to do is pull up your preset and go!
Turn it Up to 11 We´ll give it to you straight: Trash is a killer amp simulator. Now you can get that real overdriven amp sound and still keep the peace with your neighbors. With 85 box models to choose from, you´ll never run out of options to get the sound you´ve been searching for. In addition, we went beyond the normal boxes you find in the music stores. You’ll find Telephones, Clock Radios, Sheet Metal, Plexiglass tubes, Piano cabinets – and those are just a few of the extra models included with Trash. To get the creative juices flowing, we also created a new class of cabinets that don´t exist in the material world. When it comes to amp modeling, Trash can be as real or unreal as you want.
Not just for Guitar Sure, Trash sounds great on guitars, but with the flexibility of multiband distortion, why wouldn’t you want to put everything else through it? Put it on a mixed drum track and all of a sudden, you can put different distortion on the kick, snare and hi-hat. Run your bass through it to get some more crunch without the extra mud. Add it on top of an organ sound for a nice vintage feel. Because Trash was built with many options beyond standard amp simulation, you can really shape your sound and create your signature tone in whatever you do. Check out the Trash Recipe Guides for more specific ideas for your instrument sounds.
Beyond Distortion In addition to amp modeling, Trash has 36 sweepable filters and 6 delays to choose from. The pre-filter lets you add a tremolo, wah, or any number of more exotic effects to your sound. The buzz module gives you 6 different types of delay lines ranging from a clean, crisp digital delay to a gritty, organic tube amplified tape delay. In addition to all the controls you would expect, a “trash” slider lets you adjust the amount of distortion applied to the delayed signal and an output filter lets you shape the wet signal even more.
36 sweepable filter types. Analog, resonant, clean, saturated and more.
Synth Filters: Fat and juicy analog synth filters. Great on synths, and anything else.
Standard Analogs: Analog classic EQ. Clean and warm.
Resonant and Saturated: Edgy filters with resonance control and saturation.
Talkbox Filters: Sweepable filters with harmonic control. Make it yell.
Position filters in realtime to set gain, resonance and bandwidth. Turn the filters into sweeping filters to sweep frequency, resonance, gain -- anything you can control, you can sweep.
Searching for that classic auto-wah sound? Use envelope triggering to drive a lowpass filter to a higher ground. Looking for anything but a classic sound? Let your envelopes control the resonance of a filter, have peaks sweep filters to lower frequencies and just about anything you can touch you can trigger. Trash´s control is unprecedented.
To control the distortion, you´ve got to control the levels. Trash provides a multiband compressor and noise gate to squash the peaks, silence the noise or just draw out the sustain.
Delay
The perfect non-dairy topping for your Trash -- a Trash delay.
Trash the echo with a selection of classic lo-fi delay flavors. Tape delay with saturation and nonlinear tape machine artifacts. Tape-Tube delay with added tube saturation modeling. Classic analog delay with analog degradation and variation. Lo-fi digital delay with quantization noise and aliasing.
choose from six different delay types
unique trash slider for distorted delay effects
post filter with resonance for tweaking the wet signal
Usability Enhancements: Integrated Preset System Your sounds are important to you. The integrated preset system in Trash makes it easy to keep track of all the variations and applications of your distortion effects. You can set up folders of presets for individual recordings or instruments and pull them up with a couple mouse clicks. Producers, engineers and sound designers will find this especially useful, since you’re usually dealing with literally hundreds of sounds and effects.
Formats
Pro Tools 6.4+ (RTAS/AudioSuite/HTDM), VST, MAS, Audio Unit, and DirectX.
Sample Rates: up to 192 kHz
Internal Precision: 64-bit
Automatable: Yes (over 175 parameters)
OS: Windows (XP, x64, Vista) Mac OS X 10.4 or later (Universal Binary)
