Questions? Feedback? powered by Olark live chat software
English   German   Spanish   Dutch   French
Time and Space
Go
Advanced Search  
Shopping Bag Shopping Bag MasterCard Secure Code - Verified by Visa
0 items  Total £ 0.00 ex vat
view bag   |  checkout
Welcome  |  Login  |  My Account  |  Customer Services
  • Time + Space | Facebook
  • Time + Space | Twitter
  • Time + Space | Feedburner RSS
  • Time + Space | SoundCloud
  • Time + Space | YouTube
Select Currency: GB Pounds  Euros  US Dollars
ROB PAPEN THE SECRETS OF SUBTRACTIVE SYNTHESIS (BOOK & DVDS)
SPECTRASONICS TRILIAN
SPECTRASONICS STYLUS RMX XPANDED
ZERO-G THE LONDON SESSIONS
SPECTRASONICS OMNISPHERE
TOONTRACK EZKEYS SOUND EXPANSION
TOONTRACK EZKEYS AND SOUND EXPANSION BUNDLE
SAMPLE MAGIC CLASSIC TRACKS BY RICHARD BUSKIN (BOOK)
TOONTRACK SDX: ROOTS BUNDLE
SAMPLE MAGIC THE SECRETS OF HOUSE MUSIC PRODUCTION
TOONTRACK EZDRUMMER LITE (SERIAL DOWNLOAD)
TOONTRACK EZMIX 2 LITE (SERIAL DOWNLOAD)
CINEMATIC STRINGS: CINEMATIC STRINGS 2
VSL VIENNA ENSEMBLE PRO 5 (SERIAL DOWNLOAD)
TOONTRACK EZKEYS COUNTRY MIDI PACK (SERIAL DOWNLOAD)

Reviews  >  Rob Papen Blade - Sound on...

Reviews


Rob Papen Blade - Sound on Sound - July 2012

Monday, June 25, 2012

Review conclusion:

Blade

is like a scalpel: so sharp it's almost painless! Via a dozen knobs and a few menus and buttons, the Harmolator could be the gateway to widespread additive addiction. The spectrum display plays a big part in this, giving real-time insight into what each parameter does. I"d go as far as to say that Blade's synthesiser is easier to understand than FM and almost as fast to program as subtractive synthesis – no mean feat!

Putting the complicated stuff out of reach doesn't automatically mean a lack of details, either; it simply means you're not bogged doen with decisions about the amplitudes of every individual partial. Still, it would have been nice to occasionally dig a little deeper (and, who knows, that might come one day). For now, I think the balance is about right.

Admittedly, the inclusion of an XY pad is not radically new but this version is audibly different, due to the additive parameters and the synchronised pad motion. Other than the lack of a central patch database, there's really only one aspect of operation to complain about: the glowing text.

Blade is quietly innovative, fairly-priced and a real palate-cleansing alternative to other synths. If you're still unconvinced, why not download the demo version and give those partials a spin?

Click here to read the review in full at soundonsound.com


Bookmark and Share




< Back
Home  |  About Us  |  Products  |  Events  |  News  |  Education  |  Links Aspin Interactive
Terms & Conditions  |  Security  |  Privacy Statement  |  Contact Us
© Copyright 2013 Time+Space. All rights reserved.