Contains FabFilter's essential plug-ins for mastering
save up to 33%
Our price:
inc. VAT
Our price:
£471.67
£379.00inc. VAT
£471.67
This product is currently out of stock. You can still purchase and we will dispatch it to you within 7 working days.
Taxes (VAT) will be calculated based on delivery address at checkout.
Share:
The Mastering Bundle contains FabFilter's essential plug-ins for mastering: their professional limiter, EQ, multiband dynamics and compressor plug-ins.
See below for further details on the products in the bundle.
FabFilter Pro-MB is a powerful multiband compressor/expander plug-in with all the expert features you need, combining exceptional sound quality with great interface workflow.
Key Features
Up to six processing bands, freely placed anywhere in the spectrum
Bands can be easily snapped together to form a traditional crossover system
Handles any form of dynamics processing, from highly transparent compression, limiting and expansion to pumping upward compression and punchy gating
Unique Dynamic Phase processing mode featuring zero latency, no static phase changes and no pre-ringing artifacts
Excellent Linear Phase processing mode, eliminating audible artifacts when quickly changing crossover frequencies
Minimum Phase processing mode
Up to four times linear-phase oversampling
Fully customizable per band: threshold, range, attack, release, output gain, ratio, variable knee, lookahead (up to 20 ms), variable stereo linking, mid- or side-only processing, external side chain input, triggering on a separate frequency range
Steepness of each crossover slope can be freely adjusted between 6 dB/oct and 48 dB/oct
Intelligent, highly program- and frequency-dependent attack and release curves
Global dry/wet mix from 0% to 200% to easily scale the total effect of the plug-in
Beautiful Retina interface with unique interactive multiband display, designed for an optimal workflow
Accurate and smooth real-time frequency analyzer with pre- and post-processing options and 'freeze' feature
High-quality audio processing algorithms with 64-bit internal processing where needed
Band solo/mute and bypass options
Precise output metering
GPU-powered graphics acceleration
Double-click text entry of parameter values
Stereo and mono plug-ins available
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
Pro-Q 3 adds the ability to switch any of its 24 bands to Dynamic EQ mode, with a simple, elegant workflow: just raise or lower the Dynamic Range ring around the Gain knob to apply smooth compression or expansion to that band. An intelligent algorithm automatically chooses program-dependent attack, release, and knee settings, while the Threshold can be set automatically, according to the input signal level, or manually. And, of course, dynamic EQ bands continue to operate with perfect analogue matching and support Linear Phase mode.
Surround support
Pro-Q 3 works with all major surround formats, up to Dolby Atmos 7.1.2. The plug-in automatically configures itself to the multichannel format of the hosting surround track, and an intuitive selection panel enables EQ adjustment of multiple channels together.
Mid/side processing
Pro-Q has long been able to work its equalisation magic on the mid or side channels in a stereo signal, as well as left and right, and this functionality becomes even more flexible with Pro-Q 3. Each individual band can now be set to process only the Mid, Side, Left, Right, or Stereo channels so that users can get truly surgical with their stereo frequency-shaping on a band-by-band basis.
New filter types
Pro-Q 3 adds to Pro-Q 2’s multitude of filter types with the all-new Flat Tilt shape, applying a flat tilting correction curve to the entire audible spectrum. And for those occasions when even the super-steep 96dB/ octave roll-off slope isn’t precise enough, the Low and High Cut filter types can now be set to Brickwall mode for the ultimate in top/bottom attenuation.
Improved spectrum analyser and Spectrum Grab
Pro-Q 3’s spectrum analyser makes it easier than ever to find and correct problem frequencies in the mix. Activate the new collision detection to view clashes between the source signal and the spectrum of any other Pro-Q 3 instance in the session, and get an instant handle on the most important peaks in Spectrum Grab mode with frequency/note labels.
FabFilter Pro-C 2 is a professional compressor plug-in with versatile side chain and routing options, high-quality sound and an innovative interface.
Key Features
NEW - Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and Pumping
NEW - Range setting, which limits the maximum applied gain change
NEW - Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering
NEW - Mix setting, which scales the gain change from 0% to 200%
NEW - Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter
NEW - Full Screen mode, offering a large level display and side-chain EQ controller
Program-dependent attack and release curves
NEW - Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standards
NEW - Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processing
NEW - Retina support on OS X and High DPI support on Windows
Intelligent Auto Gain
External side chain triggering
NEW - Hold (up to 500 ms)
GPU-powered graphics acceleration
NEW - Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)
Stereo and mono plug-ins available
Auto Release
NEW - Optional MIDI triggering
Super-fast attack times
Supports common Pro Tools hardware control surfaces
NEW - Up to 4x oversampling
MIDI Learn
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Undo/redo and A/B comparison
NEW - Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking place
Smart Parameter Interpolation
NEW - Multiple interface sizes: Small, Medium and Large
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
A true peak limiter is an essential tool for every mastering or mixing engineer. Are you looking for a professional, feature-packed limiter that is loud and transparent at the same time, equipped with extensive loudness metering? Then FabFilter Pro-L 2 is your weapon of choice!
KEY FEATURES
Great transparent sound combined with maximum loudness
IMPROVED - Eight different limiting algorithms, all with their own character and purpose
NEW - True peak limiting
IMPROVED - Unique real-time level display with peak gain reduction labels and new innovative display modes
IMPROVED - Up to 32x linear-phase oversampling
IMPROVED - Highly accurate output and gain reduction metering including true peak metering
NEW - Extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards
NEW - Surround support including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking
NEW - Optional DC offset filter
NEW - External side chain triggering for stem mastering
NEW - Unity Gain option to easily listen to the effect of the current limiting at unity gain level
NEW - Audition Limiting option to listen to the difference between the input and output signal
Adjustable meter scale, including K-System support
Low CPU usage
Separate channel linking for both the transient and release stages
Advanced dithering with three different noise shaping algorithms
GPU-powered graphics acceleration
Double-click text entry of parameter values
Adapts to stereo, mono and surround audio formats
Adjustable look-ahead, attack and release settings
Optional Compact interface layout
Supports common Pro Tools hardware control surfaces
MIDI Learn
Undo/redo and A/B comparison
Smart Parameter Interpolation
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)
"I fell in love with the Pro-L right away with its incredible sound and intuitive interface. Then, when I dove deeper into the 'advanced' settings, it was case closed." - Dana Nielsen (Grammy-nominated mixer, engineer and producer)
"FabFilter Pro-Q 2 has one of the best GUIs of any EQ out there and sonically compares to the best." - Dave Pensado (Grammy Award-winning mix engineer)
"Making multiband compression/expansion easier and more flexible than ever, FabFilter Pro-MB is beautifully designed and sounds superb. Verdict: 9/10!" - Computer Music Magazine