When Impact Soundworks set out to create a new library built from custom, unique instruments, they were initially planning on just a few deep-sampled sounds. However, as the vision for Resonance became clearer, they decided that a whole collection of such deep-sampled instruments would be an incredible tool for all types of composers and producers working in any number of genres. As the recording sessions progressed, they constantly experimented with new techniques, mics and tools; each new sound we discovered was inspiring and had to be included.
As Impact Soundworks combed through the recordings, they found that the wealth of sounds were ripe for further sound design. With the help of programmer and sound designer Iain Morland, they took it upon themselves to create a suite of versatile textures, ambiances, pads, basses, leads, impacts and percussion built from the original audio. As with their other libraries, they intended for Resonance to be immediately playable, useful and intuitive.
SUMMARY OF FEATURES
- Mallets, fingers, hand and bowed playing
- Tonal, atonal and percussive sounds
- Aquarion, stonaphone, pipeharp, wrenchaphone
- Boltophone, glass gong, bass tongue drum
- Glass tongue drum, metal whale drum, metal sheet
- Metal ensemble, pot lids, gamelan ensemble
- Extensive sound design/FX patches
This library was not designed to be “epic” – though you can certainly use it for that. There are countless sample libraries available that focus on big, loud percussion, or dramatic sounds soaked in reverb. Impact Soundworks' vision was instead to capture these amazing found and custom instruments in a more intimate setting; close-miced with a touch of room air (and in great depth, of course!) Inspired by composers like Thomas Newman and Danny Elfman, it is hoped you will find the wide variety of timbres in Resonance to be as usable as they are inspiring.
Resonance contains a total of 33 "Natural" patches and 49 "Designed" patches built from 14 distinct instruments or ensembles. Many of the instruments were created by Jim Doble of Elemental Percussion. Others were more simple found metals, such as sheets, pot lids, a music stand, bolts and snare wires. The instruments were played using fingers, hands, and of course, various mallets (soft, wood, rubber and metal). A cello bow was also used to evoke very different sustained tones.
The Natural patches include multiple mallet types where applicable, as well as tuned/chromatic vs. natural versions and "FX" patches. These FX patches do not include external processing, but include things like scrapes, impacts, glissandi and various other non-traditional or ´prepared´ playing techniques. A minimum of external processing and editing was used, instead choosing to leave the natural sound of the instruments untouched aside from minor noise removal and EQ where needed.
The Designed patches are split into six categories: Impacts & FX, Leads & Basses, Tonal Pads, Percussion, Textures & Ambiance, and Keyboards & Mallets. These patches are built on the Natural samples, but in many cases include entirely new audio processed extensively with a variety of tools.
- Over 4,000 pristine 24-bit samples
- Deep sampled velocity + RR layers
- Dry, close-miced sound with a touch of air
- Sound design collection
Download Size (RAR files):
- Parts 1 - 5: 400 MB
- Part 6: 172 MB
Please click on the link below to view the download and install guide for this product.